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Nicole Wermers, Marathon Dance Relief (detail), 2025, clay, steel table tops, dimensions variable. Photo: Jed Niezgoda.
Baggy terms such as ‘Global South’ and ‘Global Majority’ are useless, because you can’t address what you can’t describe ...
Lindokuhle Sobekwa has been awarded the £30,000 Deutsche Börse Photography Foundation Prize for the book I carry Her photo ...
Featuring Amy Sherald, Naomi Rincón Gallardo, Nicholas Galanin; columns on the global south and arts funding; global reviews; ...
This 66-page publication printed and distributed alongside the May 2025 issue of ArtReview, is supported by the Durjoy ...
Amy Sherald, Ecclesia (The Meeting of Inheritance and Horizons), 2024, oil on linen; triptych, 325 × 173 × 6 cm each panel. Photo: Kelvin Bulluck. Courtesy the artist and Hauser & Wirth Ecclesia (The ...
Amy Sherald, Hangman, 2007, oil on canvas, 254 × 170 × 6 cm. Photo: Kelvin Bulluck. Courtesy the artist and Hauser & Wirth Many of us are, by now, familiar with the compositional choices that have ...
Carlo Ratti’s exhibition is a claustrophobic mess of bio and techno theatrics, replying on expensive machines to solve problems that didn’t need fixing in the first place ...
De Filippi sat down with ArtReview’s Mark Rappolt to discuss how art is evolving beyond static creation into autonomous, living systems ...
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